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The oldest known art in Brazil is the cave paintings in Serra da Capivara National Park in the state of Piauí, [1] dating back to c. 13,000 BC. More recent examples have been found in Minas Gerais and Goiás, showing geometric patterns and animal forms. [2]
Upon returning to Brazil in December 1923, Tarsila and Andrade then traveled throughout Brazil to find inspiration for their nationalistic art in folk religion and popular ritual. In March 1924, they spent Carnaval in Rio de Janeiro, and in April 1924, they traveled to baroque mining towns in Minas Gerais during Holy Week as part of the ...
Bumba-meu-Boi – an ox that is part of a folk tale celebrated with dance and music by the peoples of the Brazilian north (states of Maranhão and Amazonas, where it is known as Boi-Bumbá). Cabeça Satânica – The wandering head is a widespread Brazilian ghost story of European origin. Appears to people that wander alone in the night as a ...
This is a list of folk heroes, a type of hero – real, fictional or mythological – with their name, personality and deeds embedded in the popular consciousness of a people, mentioned frequently in folk songs, folk tales and other folklore; and with modern trope status in literature, art and films.
Brazilian painting, or visual arts, emerged in the late 16th century, influenced by the Baroque style imported from Portugal.Until the beginning of the 19th century, that style was the dominant school of painting in Brazil, flourishing across the whole of the settled territories, mainly along the coast but also in important inland centers like Minas Gerais.
The Parintins Folklore Festival was also responsible for the release of other songs that became known in Brazil, such as Vermelho and Parintins Para o Mundo Ver, among others. Presentation of the Festival in June 2003. It is common for local people to tell the visitors that Parintins is the only place in the World where Coca-Cola ads are blue ...
These intangible folk art forms only became grouped as such in the second half of the 20th century, when the two terms "folklore performance" and "text and context" dominated discussions among folklorists. Performance is frequently tied to verbal and customary lore, whereas context is used in discussions of material lore.
Antônio Francisco Lisboa (c. 29 August 1730 or 1738 – 18 November 1814), better known as Aleijadinho (Portuguese pronunciation: [aleiʒaˈdʒiɲu], lit. ' little cripple '), was a sculptor, carver and architect of Colonial Brazil, noted for his works on and in various churches of Brazil.