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Thanh Lam was one of the representatives of Red music. Red music (Nhạc đỏ) is the common name of the revolutionary music (nhạc cách mạng) genre in Vietnam. This genre of music began soon after the beginning of the 20th century during the French colonial period, advocating for independence, socialism and anti-colonialism.
Mai Hồng Ngọc (born 13 October 1988), better known by her stage name Đông Nhi, is a Vietnamese singer. [1] She studied at the Marie Curie High School in Ho Chi Minh City . Her first projects, such as The First Step (2009), The Singer (2012), Sau Moi Giac Mo (2012), and I Wanna Dance (2013), have won several awards.
Phạm Phi Nhung (10 April 1970 [1] [2] – 28 September 2021) was a Vietnamese-American singer, actress and humanitarian.. She specialised in Dan Ca and Tru Tinh music. She sang for Paris By Night and Vân Sơn and also acted in their plays and Tinh production.
The bolero-son: long-time favourite dance music in Cuba, captured abroad under the misnomer 'rumba'. The bolero-mambo in which slow and beautiful lyrics were added to the sophisticated big-band arrangements of the mambo. The bolero-cha, 1950s derivative with a chachachá rhythm. The bachata, a Dominican derivative developed in the 1960s.
Paris By Night 81: Âm Nhạc Không Biên Giới 2 is a Paris By Night program produced by Thúy Nga Productions that was filmed at the Terrace Theater at the Long Beach Convention and Entertainment Center in California on Saturday, January 21, 2006, the first show of 2006.
Although rumba is played predominantly in binary meter (duple pulse: 2 4, 4 4), triple meter (triple pulse: 9 8, 3 4) is also present. In most rumba styles, such as yambú and guaguancó, duple pulse is primary and triple-pulse is secondary. [18] In contrast, in the rural style columbia, triple pulse is the primary structure and duple pulse is ...
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.
Son montuno is a subgenre of son cubano developed by Arsenio Rodríguez in the 1940s. Although son montuno ("mountain sound") had previously referred to the sones played in the mountains of eastern Cuba, Arsenio repurposed the term to denote a highly sophisticated approach to the genre in which the montuno section contained complex horn arrangements. [1]