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The sociology of art is a subfield of sociology that explores the societal dimensions of art and aesthetics. [ 1 ] Scholars who have written on the sociology of art include Pierre Bourdieu , Vera Zolberg, Howard S. Becker , Arnold Hauser , and Harrison White .
His life's work, the four volume Social History of Art (1951), argued that art—which, after a paleolithic period of naturalism, began as "flat, symbolic, formalized, abstract and concerned with spiritual beings"—became more realistic and naturalistic as societies became less hierarchical and authoritarian, and more mercantile and bourgeois ...
10 October 1974 – Official proclamation of the Sociological Art Collective with Manifesto #1 published in newspaper Le Monde.; December 1974 - “Art against Ideology” exhibition organized by Bernard Teyssedre with the Sociological Art Collective at Galerie Rencontres, Paris, with works from Jean-François Bory, Collectif d’Art Sociologique, Groupe de Rosario, Guerilla Art Action Group ...
Sociology of literature, film, and art is a subset of the sociology of culture. This field studies the social production of artistic objects and its social implications. A notable example is Pierre Bourdieu's Les Règles de L'Art: Genèse et Structure du Champ Littéraire (1992). [129]
Pierre Bourdieu (French: [pjɛʁ buʁdjø]; 1 August 1930 – 23 January 2002) was a French sociologist and public intellectual. [4] [5] Bourdieu's contributions to the sociology of education, the theory of sociology, and sociology of aesthetics have achieved wide influence in several related academic fields (e.g. anthropology, media and cultural studies, education, popular culture, and the arts).
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Georg Simmel was born in Berlin, Germany, as the youngest of seven children to an assimilated Jewish family. His father, Eduard Simmel (1810–1874), a prosperous businessman and convert to Roman Catholicism, had founded a confectionery store called "Felix & Sarotti" that would later be taken over by a chocolate manufacturer.
Pablo Picasso, Les Demoiselles d'Avignon (1907). This Proto-Cubist work is considered a seminal influence on subsequent trends in modernist painting.. Modernism was an early 20th century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [1]