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The film-poem (also called the poetic avant-garde film, verse-film or verse-documentary or film poem without the hyphen) [1] is a label first applied to American avant-garde films released after World War II. [2] During this time, the relationship between film and poetry was debated.
Speaking about quotes, the Instagram page Movie Quotes posts some of the most memorable ones from movies and TV shows, so we have compiled the best ones for you. Some of them will definitely ...
"Thematic elements", or "thematic material", is a term used by the Motion Picture Association and other film ratings boards to highlight elements of a film that do not fit into the traditional categories such as violence, sex, drug use, nudity, and language, but may also involve some degree of objectionable content. This rating reason raises a ...
Before that alcohol advertisements were forbidden, except for "class 1 beer" or "light beer." Such advertisements were common, as stronger beers which shared a name with advertised light beers, may have benefit from this. In Finland, Parliament of Finland decided to ban alcohol outdoor advertising, except during sport events. This new law is ...
Poem Film(s) "Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" (1888), Ernest Thayer: Casey at the Bat (1916) Casey at the Bat (1927) Make Mine Music (1946) "The Charge of the Light Brigade" (1854), Alfred, Lord Tennyson: Balaclava (1928) The Charge of the Light Brigade (1912) The Charge of the Light Brigade (1936)
Holbeck Cemetery in Beeston, the setting for the poem. "V" (sometimes styled "v." [1]) is a poem by Tony Harrison written in 1985. The poem aroused much controversy when broadcast in film version on British public-service television's Channel 4 due to its extensive use of profanity and racial epithets. [2]
Charles Knight said that in Beer Street Hogarth had been "rapt beyond himself" and given the characters depicted in the scene an air of "tipsy jollity". [29] Charles Lamb considered Gin Lane sublime, and focused on the almost invisible funeral procession that Hogarth had added beyond the broken-down wall at the rear of the scene as mark of his ...
'Poetry-films’ contain a whole, or elements of a written or spoken poem, while ‘film poems’ are themselves the ‘poem’. Examples that Wees references include the ‘poetry-film’ ‘L'Étoile de mer’ (1928) by Man Ray which incorporates fragments of a poem by Robert Desnos, and the ‘film poem’ ‘Meshes of the Afternoon’ (1943 ...