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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
In his article, Georges Meurant, collector, author of studies on African art and former professor at the Royal Academy of Fine Arts in Brussels, Belgium, discusses the mostly small-format sculptures made of wood or clay of the ethnic groups south of the Kenyan border in the north-eastern part of the country. [28]
Measuring about 48-55 centimeters in height, ndop were carved in hardwood and anointed with palm oil to protect them from insects, which is unique in African art and underscores their survival in Western collections today. Ndop sculptures depict subjects sitting cross-legged, a posture that is equally unique in African sculpture.
Modern Makonde art is an integration of dated practices of woodwork met with a demand of artistic woodcarving of the modernized world. After the introduction of road systems in the plateaus between Tanzania and Mozambique by Portuguese troops during World War I, the traditional sense of the practice began to shift to meet new social and economic demands. [3]
Measuring about 48-55 centimeters in height, ndops are carved of hardwood, which is unusual in African art, and they are in a posture that is equally rare in African sculpture. Each sits crosslegged on a square base from which a small wooden object projects. The figures' identities can be determined according to these emblematic objects. [8]
Woodcarver at work Wood sculpture made by Alexander Grabovetskiy. Wood carving (or woodcarving) is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object.
Wooden Door (Ilekun) with carved motifs Iron and wood staff (Opa Orisha Oko); 19th century; Brooklyn Museum. The Orí-Inú, or the inner spiritual head, is very important to the Yoruba people. One's Orí-Inú is very important in terms of existing in the world. The priority goes to the Orí for any household. Thus, shrines are built in the houses.
Igbo doors are delicately carved with deeply cut abstract designs in striated and hatched patterns that catch the sunlight to produce high contrasts of light and shadow. [ 16 ] The carved wooden doors establish the boundary between the inner space of the structure and the area outside.
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