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Two-inch port tube installed in the top of a Polk S10 speaker cabinet as part of a DIY audio project. This port is flared. Unlike closed-box loudspeakers, which are nearly airtight, a bass reflex system has an opening called a port or vent cut into the cabinet, generally consisting of a pipe or duct (typically circular or rectangular cross section).
These designs can be considered a mass-loaded transmission line design or a bass reflex design, as well as a quarter wave enclosure. [39] Quarter wave resonators have seen a revival as commercial applications with the onset of neodymium drivers that enable this design to produce relatively low bass extensions within a relatively small speaker ...
A line of studio monitor speakers was created in 1991. [15] In 1996, Yorkville introduced the "TX" line of concert touring loudspeakers. [14] In 2001, Yorkville contracted with designer Tom Danley to create the "Unity" line of loudspeakers which was introduced in 2003. The Unity design was licensed from Danley's company Sound Physics Labs. [17]
The name IMF was adopted because Bud Fried had demonstrated the first prototype speakers at the New York hi fi show, and because of the publicity and the fact that he had used his name on the then unnamed speakers, we stuck with the name which was a mistake on our part. It was never his company. After our lawsuit he called his speakers Fried. [7]
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
This was a 26-watt tube amplifier with a single 15" speaker. In 1954, the Bassman was redesigned to use four 10" speakers. This speaker cabinet was an open-back design; as such, it had poor low-frequency efficiency and was prone to blowing speakers when used for bass because of the lack of damping.
This 2-way, 4-ohm, design was a physically much smaller product – measuring 425 × 332 × 244 mm (16.7 × 13.1 × 9.6 in) – that required tall speaker stands. Launched in 1978, it was Linn's entry-level loudspeaker until the Kan (a non-isobaric bookshelf speaker using the same Linn D20-LP-1 and KEF B110 drive units as its big brother) was ...
Moving iron speaker. The original loudspeaker design was the moving iron. Unlike the newer dynamic (moving coil) design, a moving-iron speaker uses a stationary coil to vibrate a magnetized piece of metal (called the iron, reed, or armature). The metal is either attached to the diaphragm or is the diaphragm itself.
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