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"The Necklace", or sometimes "The Diamond Necklace", (French: La Parure) is a short story by Guy de Maupassant, first published on 17 February 1884 in the French newspaper Le Gaulois. [1] It is known for its twist ending , a hallmark of de Maupassant's style.
[10] She obtained some money from the Cardinal, and a commission for her husband in the Comte d'Artois's bodyguard. [11] At the same time, the jeweler Charles Auguste Boehmer was trying to sell a particularly expensive and luxurious diamond necklace originally designed for Madame du Barry. He had invested a fortune into this piece of jewelry ...
By 1500 BC, the peoples of the Indus Valley were creating gold earrings and necklaces, bead necklaces, and metallic bangles. [citation needed] Before 2100 BC, prior to the period when metals were widely used, the largest jewellery trade in the Indus Valley region was the bead trade. Beads in the Indus Valley were made using simple techniques.
Various forms of livery were used in the Middle Ages to denote attachment to a great person by friends, servants, and political supporters. The collar, usually of precious metal, was the grandest form of these, usually given by the person the livery denoted to his closest or most important associates, but should not, in the early period, be seen as separate from the wider phenomenon of livery ...
Unlike the usual problem of graph coloring, the necklaces are assumed to be aperiodic (not consisting of repeated subsequences), and counted up to rotation (rotating the beads around the necklace counts as the same necklace), but without flipping over (reversing the order of the beads counts as a different necklace). This counting function also ...
Ancient Sumerians created necklaces and beads from gold, silver, lapis lazuli and carnelian. [6] In Ancient Egypt, a number of different necklace types were worn. Upper-class Ancient Egyptians wore collars of organic or semi-precious and precious materials for religious, celebratory, and funerary purposes. [7]
Harris, 59, was wearing dark sunglasses, a brown jacket over a black top and dark colored pants, and sporting what critics claimed was a $62,000 necklace from Tiffany’s.
The new middle class wanted beautiful, but affordable jewelry. The demand for jewelry of this type coincided with the machine age and the Industrial Revolution. The revolution made the production of carefully executed replicas of admired heirloom pieces possible. [1] As the class structure in America changed, so did measures of real wealth.