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Bodoni, an example of a modern serif. Didone, or modern, serif typefaces, which first emerged in the late 18th century, are characterized by extreme contrast between thick and thin lines. [f] These typefaces have a vertical stress and thin serifs with a constant width, with minimal bracketing (constant width). Serifs tend to be very thin, and ...
Example 1 Example 2 Example 3 Adobe Jenson Designer: Robert Slimbach Class: Old style : Albertus Designer: Berthold Wolpe Class: Glyphic : Aldus Designer: Hermann Zapf Class: Old style : Alexandria Designer: Hank Gillette Class: Slab serif Sub-class: Geometric: American Typewriter Designer: Joel Kaden & Tony Stan Class: Old style : Amiri ...
The first known example of a slab-serif letterform is woodblock lettering on an 1810 lottery advertisement from London. [7] Slab-serif type was perhaps first introduced by London typefounder Vincent Figgins under the name "Antique", appearing in a type-specimen dated 1815 (but probably issued in 1817). [8] [1] [b]
An example of this influence is the narrow apertures of these designs, in which strokes on letters such as a and c fold up to become vertical, similar to what is seen on Didone serif fonts. [73] Matthew Carter's Scotch Roman-inspired computer font Georgia is notable as an extremely distant descendant of Didone typefaces.
Emphasis is provided by using italics, used for key words, stage directions and the names of characters, and capitalization of key words. There are many designs. With both italics and boldface, the emphasis is correctly achieved by swapping into a different font of the same family; for example by replacing body text in Arial with its bold or ...
The design has a 'U' with a foot serif at bottom right, a 'double-V'-style 'W' with four top terminals and a 'palm Y' similar to that on Palatino, inspired by the Greek letter upsilon. [13] It was renamed "Palatino Titling" in the Palatino nova release (see below), since the rights to the name were held by Berthold who also published a ...
In typography, any stroke which does not terminate in a serif is a terminal. [1] By definition all sans-serif typefaces have terminals, and serif typefaces often have them as well. Spurs, ears, and swatches are all terminals, and hooks often end in terminals.
Perpetua is a serif typeface that was designed by the English sculptor and stonemason Eric Gill for the British Monotype Corporation.Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high. [1]