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Globe Gothic (c. 1900), a refinement of Taylor Gothic, designed by ATF vice-president Joseph W. Phinney in 1897 for Charles H. Taylor for the exclusive use of the Boston Globe. [1] Globe Gothic Condensed + Extra Condensed + Extended (c. 1900) Globe Gothic Bold (1907), credited to Benton, though Frederic Goudy claims Phinney commissioned him to ...
Bernhard Gothic is a family of geometric sans serif typeface designed by Lucian Bernhard in 1929 for the American Type Founders (ATF). Five variations by Bernhard were introduced over two years: Five variations by Bernhard were introduced over two years:
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
Gotham is the official font of New York University, [37] Michigan State University, [38] Rowan University, [39] the Singapore University of Technology and Design, [40] and was the primary brand typeface of the University of Waterloo and remains in use in logos and signage in conjunction with newly introduced brand typefaces.
Century Gothic is a digital sans-serif typeface in the geometric style, released by Monotype Imaging in 1990. [1] [2] It is a redrawn version of Monotype's own Twentieth Century, a copy of Bauer's Futura, to match the widths of ITC Avant Garde Gothic.
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Along with Matthew Carter's 1978 Bell Centennial reworking, Tobias Frere-Jones designed the Griffith Gothic typeface family for the Font Bureau in 1997. Condensed and italic variants were added, thus expanding the family in 2000. Isabella Chæva produced a cyrillic version of Bell Gothic for ParaType, based in Moscow, Russia, in 1999. She added ...
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