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Quotation marks, rather than italics, are generally used for the titles of shorter works. Whether these are single or double depends on the context; however, many styles, especially for poetry, prefer the use of single quotation marks. Short fiction, poetry, etc.: Arthur C. Clarke's "The Sentinel"
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Works that appear within larger works, such as short stories, poems, newspaper articles, songs, and television episodes are not italicised, but merely set off in quotation marks. When italics are unavailable, such as on a typewriter or websites that do not support formatting, an underscore or quotes are often used instead. [33]
Canzone: a lyric poem originating in medieval Italy and France and usually consisting of hendecasyllabic lines with end-rhyme. Epithalamium; Madrigal: a song or short lyric poem intended for multiple singers. Ode: a formal lyric poem that addresses, and typically celebrates, a person, place, thing, or idea. Horatian Ode
Italics should not be used for non-English text in non-Latin scripts, such as Chinese characters and Cyrillic script, or for proper names, to which the convention of italicizing non-English words and phrases does not apply; thus, a title of a short non-English work simply receives quotation marks.
Although emphasis is useful in speech, and so has a place in informal or journalistic writing, in academic traditions it is often suggested that italics are only used where there is a danger of misunderstanding the meaning of the sentence, and even in that case that rewriting the sentence is preferable; in formal writing the reader is expected ...
The title of Howard Spring's 1940 political novel Fame is the Spur takes its title from the poem, as does The Sheep Look Up by John Brunner which is taken from line 125. The title of the short story "Wash Far Away" by John Berryman from the collection Freedom of the Poet is also taken from this poem: Ay me! Whilst thee the shores and sounding Seas
Line breaks, indentations, and the lengths of individual words determine the visual shape of the poetry on the page, which is a common aspect of poetry but never the sole purpose of a line break. A dropped line is a line broken into two parts, in which the second part is indented to remain visually sequential through spacing.