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Gingerbread trim on a Victorian-era house in Cape May, New Jersey Gingerbread is an architectural style that consists of elaborately detailed embellishment known as gingerbread trim . [ 1 ] It is more specifically used to describe the detailed decorative work of American designers in the late 1860s and 1870s, [ 2 ] which was associated mostly ...
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
A simple hall house. In its earliest and simplest form the medieval hall house would be a four-bay cruck-framed structure, with the open hall taking up the two bays in the middle of the building. An open hearth would be in the middle of the hall, its smoke rising to a vent in the roof. Two external doors on each side of the hall formed a cross ...
Timber design or wood design is a subcategory of structural engineering that focuses on the engineering of wood structures. Timber is classified by tree species (e.g., southern pine, douglas fir, etc.) and its strength is graded using numerous coefficients that correspond to the number of knots, the moisture content, the temperature, the grain ...
Moulding (British English), or molding (American English), also coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood.
This simple cottage, Ascott House in Buckinghamshire designed c. 1876 by George Devey, is an early example of Tudorbethan influence Half-timbering, Gothic Revival tracery and Jacobean carved porch brackets combine in the Tudor Revival Beaney Institute, Canterbury, built in 1899
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The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman, was first published in 1897. In the book, the authors denounce Victorian-style interior decoration and interior design , especially rooms decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture.