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Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
A peasant dance from Bergamo: Burletta: a little joke: A light comic or farcical opera Cabaletta: from copola (couplet) A two-part musical form Cadenza: falling: A florid solo at the end of a performance Cantata: sung: A piece for orchestra and singers Capriccio: caprice: A lively piece, free in form, often used to show musical skill Cavatina ...
Csárdás Csárdás rhythm. [1]Csárdás (/ ˈ tʃ ɑːr d æ ʃ /, US: /-d ɑː ʃ /; Hungarian: [ˈt͡ʃaːrdaːʃ]), often seen as Czárdás, is a traditional Hungarian folk dance, the name derived from csárda (old Hungarian term for roadside tavern and restaurant).
Originally, a cèilidh was a social gathering of any sort, and did not necessarily involve dancing: . The 'ceilidh' is a literary entertainment where stories and tales, poems and ballads, are rehearsed and recited, and songs are sung, conundrums are put, proverbs are quoted, and many other literary matters are related and discussed
Eighteenth century Castilian fandango dancers (by Pierre Chasselat) (1753–1814) Fandango rhythm. [1]Fandango is a lively partner dance originating in Portugal and Spain, usually in triple meter, traditionally accompanied by guitars, castanets, tambourine or hand-clapping.
The second half of the six-count pattern begins with a small leaping step (count 4) along the line of dance, so the leader faces forward on the line of dance. The left leg now reaches straight forward (count 5; pointing left toe, bending right knee, etc.), directly under the partner's right leg, which is extended back.
Described by the New York Journal in 1893 as "Neither dancing of the head nor the feet", it was a dance performed by women of, or presented as having, Middle-Eastern and/or Gypsy heritage, [4] often as part of traveling sideshows. The hoochie coochie replaced the much older can-can as the ribald dance of choice in New York dance halls by the ...
John Barnes Chance (November 20, 1932 – August 16, 1972) was an American composer. Chance studied composition with Clifton Williams at the University of Texas, Austin, and is best known for his concert band works, which include Variations on a Korean Folk Song, Incantation and Dance, and Blue Lake Overture.