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Alimi, S. A. "A Study of the Use of Proverbs as a Literary Device in Achebe's Things Fall Apart and Arrow of God." International Journal of Academic Research in Business and Social Sciences 2, no. 3 (2012): 2222-6990. Fagrutheen, Syed. "Downfall of Traditionalism in Things Fall Apart and Arrow of God." The English Literature Journal 1, no. 1 ...
Chinua Achebe was born on 16 November 1930 and baptised Albert Chinụalụmọgụ Achebe. [ 1 ] [ a ] His father, Isaiah Okafo Achebe, was a teacher and evangelist, and his mother, Janet Anaenechi Iloegbunam, was the daughter of a blacksmith from Awka , [ 3 ] a leader among church women, and a vegetable farmer.
The Chinua Achebe Poetry/Essay Anthology is an annual international anthology of poems and essays established in memory of Prof. Chinua Achebe, a renowned Nigerian author.
Charles Johnson, writing for The Washington Post, praised the book but faulted Achebe for failing to fully flesh out his characters. [3] Nadine Gordimer praised the book's humour, particularly when contrasted against its depictions of horrors. [4] Ben Okri described it in The Observer as Achebe's "most complex and his wisest book to date". [5]
Chinua Achebe in 1966 "An Image of Africa: Racism in Conrad's Heart of Darkness" is the published and amended version of the second Chancellor's Lecture given by Nigerian writer and academic Chinua Achebe at the University of Massachusetts Amherst in February 1975. The essay was included in his 1988 collection, Hopes and Impediments.
The decision to reissue paperback editions of English-language hardbacks followed the early success of Chinua Achebe's Things Fall Apart and continued for many years. However, it became clear very quickly that there were not enough works in English, so translations began to be made from French of works by Ferdinand Oyono , Mongo Beti and others.
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First edition (publ. Doubleday) Hopes and Impediments: Selected Essays, 1965–1987 is collection of essays by Chinua Achebe, published in 1988. [1]Several of the essays caution against generalizing all African people into a monolithic culture, or using Africa as a facile metaphor. [2]