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21:9" ("twenty-one by nine" or "twenty-one to nine") is a consumer electronics (CE) marketing term to describe the ultrawide aspect ratio of 64:27 (2. 370:1 or 21. 3:9), designed to show films recorded in CinemaScope and equivalent modern anamorphic formats. The main benefit of this screen aspect ratio is a constant display height when ...
These may also use other aspect ratios by cropping otherwise black bars at the top and bottom which result from cinema aspect ratios greater than 16∶9, such as 1.85 or 2.35 through 2.40 (dubbed "Cinemascope", "21∶9" etc.), while the standard horizontal resolution, e.g. 1920 pixels, is usually kept.
Micro Cinema Camera: 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60 [35] Blackmagic: Pocket Cinema Camera [32] 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native)
21:9 movies usually refers to 1024:429 ≈ 2.387, the aspect ratio of digital ultrawide cinema formats, which is often rounded up to 2.39:1 or 2.4:1 Ultrawide resolution can also be described by its height, such as "UW 1080" and "1080p ultrawide" both stands for the same 2560×1080 resolution.
Philips invented the plumbicon pick up video camera tube in 1965; almost all of their color cameras used this award-winning tube. Starting with the LDK 90 camera, Philips used their Frame transfer CCD - Charge-coupled device. Philips' patented Dynamic Pixel Management (DPM) FT-17 CCD technology won awards and was first used in the 1994 LDK10 ...
Many digital video cameras have the capability to record in 16:9 (= 4 2:3 2), and 16:9 is the only widescreen aspect ratio natively supported by the DVD standard. DVD producers can also choose to show even wider ratios such as 1.66:1, 1.75:1, 1.77:1 and 1.78:1 [ 1 ] within the 16:9 DVD frame by hard matting or adding black bars within the image ...
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