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Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
A time signature of 21 8 , however, does not necessarily mean that the bar is a compound septuple meter with seven beats, each divided into three. This signature may, for example, be used to indicate a bar of triple meter in which each beat is subdivided into seven parts.
These time signatures cannot be evenly subdivided into groups of two or three. Common time This symbol represents 4 4 time—four beats per measure with a quarter note representing one beat. It derives from the broken circle that represented "imperfect" duple meter in fourteenth-century mensural time signatures. Alla breve / cut time This ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
[7] [4] In the special case of time signatures in which the upper numeral is not divisible by two or three without a fraction, the result may alternatively be called irregular, imperfect, or uneven meter, and the groupings into twos and threes are sometimes called long beats and short beats. [8] Additive rhythm in 3+3+2 8 time Additive rhythm 3+3+2
Distinctive elements of the song include its unusual 7 4 time signature, and the tape loop of money-related sound effects (such as a ringing cash register and a jingle of coins). These effects are timed right on the beats, and act as a count-in at the beginning to set the tempo and are heard periodically throughout the song.
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"Unsquare Dance", in 7/4 time, is a challenge to the foot-tappers, finger-snappers and hand-clappers. Deceitfully simple, it refuses to be squared. And the laugh you hear at the end is Joe Morello 's guffaw of surprise and relief that we had managed to get through the difficult last chorus.