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María Elena Velasco Fragoso (17 December 1940 – 1 May 2015) was a Mexican actress, comedian, singer-songwriter and dancer. [ 1 ] [ 2 ] She is best known for creating and portraying La India María , a comical character based on indigenous Mexican women .
When she is released, Laura implores Maria to look for her children. María finds them with a chap who treats them badly, and to take care of them she works as a maid. In struggling to adapt to a new city, and community, she realizes that in life in the city, like everywhere else, you have to run or even fly to get what you want and that no one ...
Las delicias del poder ("The Delights of Power") is a 1999 Mexican political satire comedy film directed by Iván Lipkies starring María Elena Velasco as La India María with Ernesto Gómez Cruz, Irma Dorantes, and Adalberto Martínez.
María Elena Velasco, best known as 'La India María, has died in Mexico City, Mexico after an illness. María Elena Velasco was a Mexican actress, comedienne, singer-songwriter, dancer ...
"La India María" (born María Nicolasa Cruz) is a fictional character portrayed and created by actress María Elena Velasco. [1] The character frequently endures situations of racial discrimination, classism, and corruption, although in all of these turmoils, María undoubtedly resolves them with hilarious acts of good-nature and morality.
La presidenta municipal ("The Municipal President") is a 1975 Mexican comedy film directed by Fernando Cortés and starring María Elena Velasco, Adalberto Martínez "Resortes", and Pancho Córdova. The film was shot at Tlayacapan, Morelos, Mexico.
El miedo no anda en burro (Fear Doesn't Ride a Donkey) is a 1976 Mexican comedy horror film directed by Fernando Cortés and starring María Elena Velasco, Eleazar García, Fernando Luján, Emma Roldán and Óscar Ortiz de Pinedo. Literally, the title is an idiom used to express that fear strikes quickly, not calmly as if on top of a donkey.
Villegas goes back to Maria's hut and angrily demands the return of the art piece, when María confesses about the sale of the other ones. In the meantime, infuriated that he got the clay replica, Romano demands an assistant of Villegas, Navarro (who is actually an accomplice) to get him the real coyote.