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"The counterpoint in bars 5-8... sheds an unexpected light on the tonality of the Subject." [11]: Bach fugue in G-sharp minor from WTC Book 2 Bach fugue in G-sharp minor from WTC Book 2. Bach's 3-part Invention in F minor combines three independent melodies: Bach 3-part Invention BWV 795, bars 7–9 Bach 3-part Invention BWV 795, bars 7–9
Counterpoint (Kontrapunkt in the original German) is the second volume of Heinrich Schenker's New Musical Theories and Fantasies (the first is Harmony and the third is Free Composition). It is divided into two "Books", the first published in 1910, and the second in 1922. The subject matter of the work is species counterpoint.
Voice exchange is also used in Schenkerian analysis to refer to a pitch class exchange involving two voices across registers, one of which is usually the bass. In this sense, it is a common secondary structural feature found in the music of a wide variety of composers. [12]
In music, an invention is a short composition (usually for a keyboard instrument) in two-part counterpoint. (Compositions in the same style as an invention but using three-part counterpoint are known as sinfonias. Some modern publishers call them "three-part inventions" to avoid confusion with symphonies.)
The Art of Counterpoint, and its Application as a Decorative Principle (London, 1907) The Evolution of Harmony (London, 1914) Applied Strict Counterpoint (London, 1916) Elementary Harmony, three volumes (London, 1920–26) Additional Exercises to Elementary Harmony (1926) Rudiments of Music (London, 1926) Counterpoint for Beginners (London, 1927)
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
Contrapuntal works (2 C) C. Canon (music) (1 C, 6 P) V. Voice leading (1 C, 3 P) Pages in category "Counterpoint" The following 7 pages are in this category, out of 7 ...
Schenkerian analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic coherence of the work by showing how the "foreground" (all notes in the score) relates to an abstracted deep structure, the Ursatz.
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