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C-sharp major, the enharmonic equivalent to D-flat major, has seven sharps, whereas D-flat major only has five flats; thus D-flat major is often used as the parallel major for C-sharp minor. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor , and to some extent, with the keys of G-flat major and F-sharp minor ).
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
There can be up to seven flats in a key signature, applied as: B ♭ E ♭ A ♭ D ♭ G ♭ C ♭ F ♭ [9] [10] The major scale with one flat is F major. In all major scales with flat key signatures, the tonic in a major key is a perfect fourth below the last flat.
B-flat minor is traditionally a 'dark' key. [ 1 ] The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer 's Concertino in D major , Op. 80.
(Such key signatures are used for so-called theoretical keys which are almost never encountered outside music-theoretical exercises.) [b] Keys with 6 flats and 6 sharps, [c] with 7 flats and 5 sharps [d] and with 5 flats and 7 sharps [e] are enharmonic to one another. Composers will, in most (though not all) cases, choose only one key from each ...
The circle of fifths text table shows the number of flats or sharps in each of the diatonic musical scales and keys. Both C major and A minor keys have no flats or sharps. v
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Notably, an equal-tempered octave has twelve half steps (semitones) spaced equally in terms of the sound frequency ratio. The sound frequency doubles for corresponding notes from one octave to the next. The ratio is 3/2 = 1.5 for a perfect fifth, for example from C to G on a major scale, and 5/4 = 1.25 for a major third, for example from C to E.