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This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns. William Morris was one of the most influential designers of wallpaper and fabrics during the latter half of the Victorian period. Morris was inspired and used Medieval and Gothic tapestries in his work. Embossed paper were used on ceilings and ...
The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn.
A wallpaper group (or plane symmetry group or plane crystallographic group) is a mathematical classification of a two-dimensional repetitive pattern, based on the symmetries in the pattern. Such patterns occur frequently in architecture and decorative art , especially in textiles , tiles , and wallpaper .
Design for Trellis wallpaper, 1862 Morris was slowly abandoning lithography and painting, recognising that his work lacked a sense of movement; none of his paintings are dated later than 1862. [ 75 ] [ 76 ] Instead he focused his energies on designing wallpaper patterns, the first being "Trellis", designed in 1862.
Polychrome brickwork also became popular in Europe in the later 19th century as part of the various medieval and Romanesque revivals. In France, the Menier Chocolate Factory in Noisiel, designed by Jules Saulnier and completed in 1872, is an early and very elaborate example, which is also noted for its early use of iron structure.
Design for a display case, by Thomas Chippendale, c.1753–1754, black ink and gray wash, Metropolitan Museum of Art, New York City Chair from the Gothic Cabinet of the Osmond Countess, by François-Honoré-Georges Jacob-Desmalter , c. 1817-1820, gilt wood, Petit Palais , Paris
Batty Langley (baptised 14 September 1696 – 3 March 1751) was an English garden designer, and prolific writer who produced a number of engraved designs for "Gothick" structures, summerhouses and garden seats in the years before the mid-18th century.
Strict Photorealist painters tended to imitate photographic images, omitting or abstracting certain finite detail to maintain a consistent over-all pictorial design. [9] [10] They often omitted human emotion, political value, and narrative elements. Since it evolved from pop art, the photorealistic style of painting was uniquely tight, precise ...
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