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This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns. William Morris was one of the most influential designers of wallpaper and fabrics during the latter half of the Victorian period. Morris was inspired and used Medieval and Gothic tapestries in his work. Embossed paper were used on ceilings and ...
The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn.
Polychrome brickwork also became popular in Europe in the later 19th century as part of the various medieval and Romanesque revivals. In France, the Menier Chocolate Factory in Noisiel, designed by Jules Saulnier and completed in 1872, is an early and very elaborate example, which is also noted for its early use of iron structure.
Design for Trellis wallpaper, 1862 Morris was slowly abandoning lithography and painting, recognising that his work lacked a sense of movement; none of his paintings are dated later than 1862. [ 75 ] [ 76 ] Instead he focused his energies on designing wallpaper patterns, the first being "Trellis", designed in 1862.
Modern wallpaper is made in long rolls which are hung vertically on a wall. Patterned wallpapers are designed so that the pattern "repeats", and thus pieces cut from the same roll can be hung next to each other so as to continue the pattern without it being easy to see where the join between two pieces occurs.
Example of an Egyptian design with wallpaper group p4m. A wallpaper group (or plane symmetry group or plane crystallographic group) is a mathematical classification of a two-dimensional repetitive pattern, based on the symmetries in the pattern. Such patterns occur frequently in architecture and decorative art, especially in textiles, tiles ...
At the end of the Restoration (1814–1830) and during the Louis-Philippe period (1830-1848), Gothic Revival motifs start to appear in France, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets ...
The purpose of the device is practical as well as decorative, because the increasingly large windows of Gothic buildings needed maximum support against the wind. [2] The term probably derives from the tracing floors on which the complex patterns of windows were laid out in late Gothic architecture. Tracery can be found on the exterior of ...
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