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The word "abacus" was first mentioned by Xu Yue (160–220) in his book suanshu jiyi (算数记遗), or Notes on Traditions of Arithmetic Methods, in the Han dynasty. As it described, the original abacus had five beads (suan zhu) bunched by a stick in each column, separated by a transverse rod, and arrayed in a wooden rectangle box. One in the ...
An abacus (pl.: abaci or abacuses), also called a counting frame, is a hand-operated calculating tool which was used from ancient times in the ancient Near East, Europe, China, and Russia, until the adoption of the Hindu–Arabic numeral system. [1] An abacus consists of a two-dimensional array of slidable beads (or similar objects). In their ...
The Late Roman hand abacus shown here as a reconstruction contains seven longer and seven shorter grooves used for whole number counting, the former having up to four beads in each, and the latter having just one. The rightmost two grooves were for fractional counting. The abacus was made of a metal plate where the beads ran in slots.
A suanpan (top) and a soroban (bottom). The two abaci seen here are of standard size and have thirteen rods each. Another variant of soroban. The soroban is composed of an odd number of columns or rods, each having beads: one separate bead having a value of five, called go-dama (五玉, ごだま, "five-bead") and four beads each having a value of one, called ichi-dama (一玉, いちだま ...
The counting board is the precursor of the abacus, [1] and the earliest known form of a counting device (excluding fingers and other very simple methods). Counting boards were made of stone or wood, and the counting was done on the board with beads, pebbles etc. [ 2 ] Not many boards survive because of the perishable materials used in their ...
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The first abacus pictured below (fig. 5) is decorated with simple mouldings and ornaments, common during the 12th century, in Île-de-France, Normandy, Champagne, and Burgundy regions, and from the choir of Vézelay Abbey (fig. 6). Figure 7 shows a circular abacus used at windows in the side chapels of Notre Dame de Paris. Towards the end of ...
A Jacquard loom showing information punchcards, National Museum of Scotland. Traditionally, figured designs were made on a drawloom.The heddles with warp ends to be pulled up were manually selected by a second operator, the draw boy, not the weaver.
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