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This was Martin's only album of Christmas music released on Reprise Records (his only other Christmas album, A Winter Romance, having been released in 1959 on Capitol Records). It was reissued on CD by Hip-O Records in 2008, retitled A Very Cool Christmas. [2] This was the fourth of five albums Martin released in 1966. [1]
Now That's What I Call Christmas! 2: The Signature Collection also known as Now That's What I Call Christmas! 2 is an album released on September 30, 2003, as part of the Now That's What I Call Music series in the United States.
The sole single from the album, "Greatest Time of Year", used to promote The Santa Clause 3: The Escape Clause, peaked at 96 on the Billboard Hot 100. Aly & AJ promoted the album mainly on CD USA and at the 2006 Walt Disney World Christmas Day Parade. In 2007, the album was re-released with three new traditional cover songs.
Walt Disney Records reissued the album in 2000. The Sounds of Outerspace: 1981 Michael Maraldo and Bob Kinsey [note 1] The Fox and the Hound: 1981 Various [note 1] Tron: Original Motion Picture Soundtrack: July 9, 1982 Wendy Carlos & Journey: Originally released by CBS Records. Walt Disney Records reissued the album in 2002. The Story of Tron: 1982
Jeff Lynne also sings backing vocals on "Come on Christmas, Christmas Come On", [2] "I Wanna Be Santa Claus", [3] and "Christmas Time (Is Here Again)". [4] The final sessions for the album were held on 8 and 9 September at Whatinthewhatthe? Studios, with mixing taking place at A&M Studios, Los Angeles and Sterling Sound, New York. [1]
A Very Special Christmas is the first in the A Very Special Christmas series of Christmas-themed compilation albums produced to benefit the Special Olympics.The album was released on October 12, 1987, and production was overseen by Jimmy Iovine for A&M Records.
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Snowfall: The Tony Bennett Christmas Album is a 1968 studio album by Tony Bennett, his first Christmas album. [4] It was arranged and conducted by Robert Farnon.. Even though they had been friends since the early 1950s, Bennett and Farnon had not recorded together before, Bennett having such reverence for Farnon's work that he felt he "wasn't ready...(and) not developed enough as an artist to ...
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