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"Tiến Quân Ca" (lit. "The Song of the Marching Troops") is the national anthem of Vietnam.The march was written and composed by Văn Cao in 1944, and was adopted as the national anthem of the Democratic Republic of Vietnam in 1946 (as per the 1946 constitution) and subsequently the Socialist Republic of Vietnam in 1976 following the reunification of Vietnam.
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The song had to be easy to remember, sing, perform and popularize. Mai Văn Bộ and Huỳnh Văn Tiểng wrote the lyrics and Lưu Hữu Phước composed the music. The trio decided to use a new pseudonym " H uỳnh M inh L iêng", with the letter H, M, L representing the family name of each member.
During the 13th century, a new trend of music came from China: songs set to Chinese tunes with Vietnamese lyrics. [ 9 ] Nhã nhạc is the most popular form of royal court music, specifically referring to the court music played from the Trần dynasty to the last Nguyễn dynasty of Vietnam, being synthesized and developed by the Nguyễn emperors.
Thuy Nga Production's first series of music videos might represent the success. Thuy Nga's 1988 "The Giot Nuoc Mat Cho Viet Nam [A Tear for Vietnam]" song selection, which was visualized to reflect some melancholic characteristics, and typify those hot exiled music themes. With the appearance of music videos, many pre-1975 songs, as well as ...
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Văn Cao (born Nguyễn Văn Cao, Vietnamese pronunciation: [ŋʷjə̌ˀn van kaːw]; 15 November 1923 – 10 July 1995) was a Vietnamese composer whose works include Tiến Quân Ca, which became the national anthem of Vietnam.
The lyrics of Thanh Niên Hành Khúc were revised by former President Ngo Dinh Diem in 1956. The composer Lưu Hữu Phước opposed South Vietnam's use of the song and in 1949 he wrote a letter in protest; later the Voice of Vietnam sporadically broadcast Lưu Hữu Phước's criticisms.