Search results
Results from the WOW.Com Content Network
Islamic geometric patterns are derived from simpler designs used in earlier cultures: Greek, Roman, and Sasanian. They are one of three forms of Islamic decoration , the others being the arabesque based on curving and branching plant forms, and Islamic calligraphy ; all three are frequently used together.
Early examples of Islamic geometric patterns made of straight strap lines can be seen in the architecture of the surviving gateway of the Ribat-i Malik caravanserai, Uzbekistan, built in 1078. [4] The wild application of girih on architectures should credit to the close relationship between Islamic architecture, geometry, and craft.
There is no text, but there is a grid pattern and color-coding used to highlight symmetries and distinguish three-dimensional projections. Drawings such as shown on this scroll would have served as pattern-books for the artisans who fabricated the tiles, and the shapes of the girih tiles dictated how they could be combined into large patterns.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
The arabesques and geometric patterns of Islamic art are often said to arise from the Islamic view of the world (see above). The depiction of animals and people is generally discouraged, which explains the preference for abstract geometric patterns. There are two modes to arabesque art.
In western Islamic art, under the Nasrid and Marinid dynasties, a great variety of geometric patterns were created for architectural decoration. Among the most common was a pattern employing six-pointed and twelve-pointed star compositions, with eight-pointed stars inserted between them.
The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques (with which they are often combined), to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework ...
One of the patterns on the Topkapı Scroll, which matches an existing architectural structure, is the Kufic script drawn for banna'i, in which tiles are alternated with plain bricks to create geometric patterns over the surface of a wall. Almost exactly the same of this pattern is found on the gate of a mosque in Varzaneh. [2]