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[2] Tillyard was a Fellow in English (1926–1959) at Jesus College, later becoming Master (1945–1959). He is known mainly for his book The Elizabethan World Picture (1943), as background to Elizabethan literature, particularly Shakespeare, and for his works on John Milton. [2]
The Elizabethan Stage, though containing less original discovery than its predecessor, was often referenced to describe the material conditions of English Renaissance theatre. [1] It is no longer considered reliable, since Chambers misrepresents the royal household as an organizational entity in general, and the duties of the Master of Revels ...
By the 16th century, allegory was firmly linked to what is known as the Elizabethan world picture, taken from Ptolemy and Pseudo-Dionysius the Areopagite. This theory postulates the existence of three worlds: the sublunary world we live in, subject to change. the celestial world, the world of the planets and stars, unchanging.
Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature.In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first ...
It wryly proposes that the dispersal of Charles I's art collection in 1649 was a democratic move, one that merits imitation in the contemporary world. His 2016 book This Orient Isle: Elizabethan England and the Islamic World (London: Allen Lane, 2016) was serialised on BBC Radio 4 and won the Historical Writers Association Non-Fiction Crown ...
In 1991 Archer published his first monograph, The Pursuit of Stability: Social Relations in Elizabethan London, based on his DPhil thesis which was supervised by Penry Williams. [4] From 1999 to 2010 Archer was academic editor of the Bibliography of British and Irish History. He is an honorary vice-president of the Royal Historical Society. [5]
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Both directors were also supporters of E.M.W. Tillyard's 1944 book Shakespeare's History Plays, which was still a hugely influential text in Shakespearean scholarship, especially in terms of its argument that the tetralogy advanced the Tudor myth or "Elizabethan World Picture"; the theory that Henry VII was a divinely appointed redeemer, sent ...