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In these contexts, frame rate may be used interchangeably with frame frequency and refresh rate, which are expressed in hertz. Additionally, in the context of computer graphics performance, FPS is the rate at which a system, particularly a GPU , is able to generate frames, and refresh rate is the frequency at which a display shows completed ...
This is a list of films with high frame rates. Only films with a native (without motion interpolation ) shooting and projection frame rate of 48 or higher, for all or some of its scenes , are included, as are films that received an official post-conversion using technologies such as TrueCut Motion.
59.94p is the frame rate used for 720p broadcast HDTV in the USA and other countries with an NTSC broadcasting history, as specified in SMPTE 296M. The exact rate is 60000/1001, which works out to be slightly over 59.94 frames per second. 60p is a progressive format that is very close to the 60000/1001 broadcast system used in some countries.
For the commercial naming of a product, the frame rate is often dropped and is implied from context (e.g., a 1080i television set). A frame rate can also be specified without a resolution. For example, 24p means 24 progressive scan frames per second, and 50i means 25 interlaced frames per second. [51] There is no single standard for HDTV color ...
The frametimes benchmark feature (logging of individual frame render times) gained attention in 2013 on computer review sites in debate about micro stuttering in games. [2] On Windows Vista and Windows 7, the desktop can be captured if Windows Aero is enabled. Windows 8 game capture works, but not desktop capture as of version 3.5.99. [3]
In general, SMPTE timecode frame rate information is implicit, known from the rate of arrival of the timecode from the medium. It may also be specified in other metadata encoded in the medium. The interpretation of several bits, including the color framing and drop frame bits, depends on the underlying data rate. In particular, the drop frame ...
In early cinema history, there was no standard frame rate established. Thomas Edison's early films were shot at 40 fps, while the Lumière Brothers used 16 fps. This had to do with a combination of the use of a hand crank rather than a motor, which created variable frame rates because of the inconsistency of the cranking of the film through the camera.
To add to confusion, the popular editing program Final Cut Pro refers to 23.976 as "23.98" in menus and dialogs, even though it correctly works with the footage at the 23.976 frame rate. 23.976 is also not precise though, as the real frame rate is 24000/1001, so 23.98 is also a correct approximation.