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The earliest datable objects are blue-and-white border tiles that decorate the mausoleum in Bursa of Şehzade Mahmud, one of the sons of Bayezid II, who died in 1506–1507. [ 43 ] [ 44 ] The term 'Abraham of Kütahya ware' has been applied to all the early blue-and-white Iznik pottery as the 'Abraham of Kütahya' ewer, dating from 1510, is the ...
Delftware or Delft pottery, also known as Delft Blue [1] (Dutch: Delfts blauw) or as delf, [2] is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery , and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colours, and made ...
Tile frieze with lotus and grapes. Egyptian faience is a sintered-quartz ceramic material from Ancient Egypt. The sintering process "covered [the material] with a true vitreous coating" as the quartz underwent vitrification, creating a bright lustre of various colours "usually in a transparent blue or green isotropic glass".
New York City Subway tiles. Atlantic Avenue – Barclays Center station identification on the BMT Brighton Line platform. Many New York City Subway stations are decorated with colorful ceramic plaques and tile mosaics. Of these, many take the form of signs, identifying the station's location. Much of this ceramic work was in place when the ...
A relatively new tradition in ceramics is called "folk art". These pieces are mostly decorative, such as figures, tiles; and fine wares such as casseroles, teacups, and dishes. These are produced for the Mexican upper class, the international market, and to some extent, tourists.
Azulejo. Panel of the Battle of Aljubarrota by Portuguese artist Jorge Colaço, 1922. Azulejo (Portuguese: [ɐzuˈle (j)ʒu, ɐzuˈlɐjʒu], Spanish: [aθuˈlexo]; from the Arabic الزليج, al- zillīj) [1][2] is a form of Portuguese and Spanish painted tin-glazed ceramic tilework.
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