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Claudia de' Medici as a widow, in mourning dress (black cap, veil, and cloak) c. 1648. Archduchess Isabella Klara wears her lace collar or tucker off-the-shoulder. German-Swedish noblewoman Anna Margareta von Haugwitz wears a black long-waisted bodice and skirt with an low-cut neckline and a contrasting petticoat.
Friederike von Gumppenberg, with a central part, long sausage curls, and a bun on the back of the crown, is a fashionably romantic echo of mid-seventeenth century styles. This style would remain popular into the next decade. German, c. 1845. Young lady of Holland wears a lace collar and ruffled chemise or chemisette with her dark dress.
The day dress has a wide, low neckline and long sleeves. Julie von Woyna wears a blue silk dress, with sheer sleeves and sheer lace trimmings . Her plaited hair is setup in an elaborate hairstyle. Marquise Irene of Pallavicini of 1834 with echoes of the Renaissance: a wide-necked black gown features a tight belt at the raised waistline. Hair is ...
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
Italian woman wears a gray striped jacket with turned-back pagoda sleeves trimmed in contrasting fabric and a matching skirt. Her blouse sleeves or engageantes are full over her lower arms, 1861. 1862 portrait of Jenny Lind depicts her in a white gown with a wide lace collar. Her hair is parted in the center, rolled or "turned up" at the sides ...
Picture of 1850s evening dress with a bertha neckline. Neck-line: Bertha is the low shoulder neck-line worn by women during the Victorian Era. The cut exposed a woman's shoulders and it sometimes was trimmed over with a three to six-inch deep lace flounce, or the bodice has neckline draped with several horizontal bands of fabric pleats.
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