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The original, English-language piece that the central lines of Rutter's piece are directly excerpted from is a poem in the book The Dominion of Dreams: Under the Dark Star, [3] by Celtic Revival writer William Sharp / Fiona Macleod; while not containing the words "Jesus," or "Amen," [4] the poem does mention both "the Son of Peace" and "the ...
William Sharp (12 September 1855 – 12 December 1905) was a Scottish writer, of poetry and literary biography in particular, who from 1893 wrote also as Fiona Macleod, a pseudonym kept almost secret during his lifetime. [1] He was also an editor of the poetry of Ossian, Walter Scott, Matthew Arnold, Algernon Charles Swinburne and Eugene Lee ...
The title comes from the poem "The Lonely Hunter" by the Scottish poet William Sharp, who used the pseudonym "Fiona MacLeod"."Deep in the heart of Summer, sweet is life to me still, But my heart is a lonely hunter that hunts on a lonely hill."
Elizabeth Amelia Sharp (1856–1932) was a critic, editor and writer, and married to the Scottish writer, William Sharp also known by his pseudonym Fiona MacLeod.William Sharp (1855–1905) was her first cousin, his father David was a younger brother of Thomas, Elizabeth's father.
Carmina Gadelica is a compendium of prayers, hymns, charms, incantations, blessings, literary-folkloric poems and songs, proverbs, lexical items, historical anecdotes, natural history observations, and miscellaneous lore gathered in the Gàidhealtachd regions of Scotland between 1860 and 1909.
Boughton adapted his own libretto from the play of the same name by Fiona MacLeod, a pseudonym of writer William Sharp. The Immortal Hour is a fairy tale or fairy opera, with a mood and theme similar to Dvořák's Rusalka [citation needed] and Mozart's The Magic Flute. [original research?] Magic and nature spirits play important roles in the ...
Kicking off our stay-at-home series of critical re-assessments of classic albums recorded in California: Fiona Apple's 'Extraordinary Machine.'
The Immortal Hour is a 1899 play by Scottish playwright Fiona Macleod, a pseudonym of writer William Sharp, loosely based on the Irish myth The Wooing of Etain. [1] It was first published complete in the November 1900 issue of The Fortnightly Review and posthumously published in book form in 1907 (US) and 1908 (UK).