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The concept of personae in music was introduced by Edward T. Cone in his The Composer's Voice (1974), which dealt with the relation between the lyrical self of a song's lyrics and its composer. [17] Performance studies scholar Philip Auslander includes further contextual frames, in which musical persona is the primary product of musical ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
The ID3v1 series, in particular, stores genre as an 8-bit number (therefore ranging from 0 to 255, with the latter having the meaning of "undefined" or "not set"), allowing each file to have at most one genre out of a fixed list. Genre definitions 0-79 follow the ID3 tag specification of 1999. [1]
Dramatis personae (Latin: 'persons of the drama') are the main characters in a dramatic work written in a list. [not verified in body] Such lists are commonly employed in various forms of theatre, and also on screen. [not verified in body] Typically, off-stage characters are not considered part of the dramatis personae.
Personent hodie in the 1582 edition of Piae Cantiones, image combined from two pages of the source text. "Personent hodie" is a Christmas carol originally published in the 1582 Finnish song book Piae Cantiones, a volume of 74 Medieval songs with Latin texts collected by Jacobus Finno (Jaakko Suomalainen), a Swedish Lutheran cleric, and published by T.P. Rutha. [1]
A sound recording has a separate copyright that is distinct from that of the underlying work (usually a musical work, expressible in musical notation and written lyrics), if any. The sound recording copyright notice extends to a copyright for just the sound itself and will not apply to any other rendition or version, even if performed by the ...
Ezra Pound was an admirer of Browning and he frequently used masks or personae (Personae is the title of collection of shorter poems by him). Rather than the poem representing the voice of the author, as in much lyric poetry, the speaker in Pound's persona poems is a made-up character with whom Pound did not completely identify.
His theoretical writings cover many topics, including musical logic, [1] notation, [2] harmony, [3] melody, [4] phraseology, [5] the history of music theory, [6] etc. More particularly, the term Riemannian theory often refers to his theory of harmony, characterized mainly by its dualism and by a concept of harmonic functions .