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For How to Know the Ferns, Satterlee and a second artist, Alice Josephine Smith, created 42 full-page plates and over two dozen smaller black-and-white illustrations from pen drawings. (The illustrations include initials, either a.j.s or MS, to identify the artist of each drawing.) Satterlee also provided a description of the Woodwardia ferns. [7]
George Voorhelm Schneevoogt (1775–1850)'s Icones plantarum rariorum (Illustrations of rare and beautiful flowers and plants, drawn, engraved and colored after nature, 1793) has hand-coloured illustrations by Hendrik Schwegman and text in Dutch, French and German.
James Andrews (1801–1876) was an English draughtsman, botanical painter and illustrator noted for his accomplished illustrations. [1] [2] He also taught flower-painting to young ladies. He created the illustrations for the famous nature writer Sarah Bowdich Lee's 1854 book Trees, Plants, and Flowers: Their Beauties, Uses, and Influences.
O'Keeffe experimented with depicting flowers in her high school art class. Her teacher explained how important it was to examine the flower before drawing it. So, O'Keeffe held it in different ways, capturing different perspectives of the flowers, and also created studies of only a portion of the flower.
While there, she produced a series of political black and white pieces and worked alongside Shelagh Wilkinson, co-founder of Canadian Woman Studies. [ 8 ] [ 9 ] Lucas' work is best known for large canvases devoted to colourful flowers, but earlier sketches and paintings explored icons of the Greek Orthodox Church , the Virgin Mary, and female ...
Johanna Basford OBE (born 1983) is a Scottish illustrator.Her illustrations are hand-drawn, predominantly in black and white, with pencils and pens. [1] [2] Basford's works can be found in products such as colouring books, wallpaper, beer labels and even tattoos. [3]
The majority of her illustrations have been created using pen and ink or brush with ink, but at times also graphite and digital painting. [3] She typically draws her specimen in black and white, with minimal shadow, and frequently places the light sources in the image's upper left corner. [2]
Tolkien's illustrations contributed to the effectiveness of his writings, though much of his oeuvre remained unpublished in his lifetime. However, the first British edition of The Hobbit in 1937 was published with ten of his black-and-white drawings. [1] In addition, it had as its frontispiece Tolkien's drawing The Hill: Hobbiton-across-the-Water.
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