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The album cover reads Laurie Anderson Live at Town Hall New York City September 19–20, 2001. Recorded soon after the September 11, 2001, attacks on New York City, the album was produced during Anderson's tour of the United States featuring a mix of pieces from earlier in her career and newer works. Following so close to the attacks, Anderson ...
Live in New York is the final album recording by the American country blues musician Mississippi Fred McDowell. New York-based American independent Oblivion Records released the first edition in the Spring of 1972, months before McDowell's death in July 1972. [ 1 ]
Live in New York may refer to: Hot Swing Trio: Live in New York, 2005 album by Mark O'Connor's Hot Swing Trio; Live in New York (Archie Shepp and Roswell Rudd album), released in 2001; Live in New York (The Doors live album), 6-disc box set released in 2009; Live In New York (The Doors sampler), 2nd disc of The Doors: Box Set, released in 1997
Hot Swing Trio: Live in New York is the third and final album by Mark O'Connor's Hot Swing Trio. It was recorded during live performances in Merkin Hall in New York City on September 21 and 22, 2004. [1] The seventh track, "Fiddler Goin' Home", was written in memory of Claude "Fiddler" Williams, who died in 2004.
Live from New York has garnered "universal acclaim" by the nine review of the album.. AllMusic's David Jeffries called the album a "unique effort". [3] At CCM Magazine, Grace S. Aspinwall proclaimed that "the result is spectacular" with respect to the teaming up of Jesus Culture and Martin Smith on the album, and wrote that "Smith bolsters an already stellar team to greatness."
In 1982 a single-LP abbreviation of Live in New York's contents was released under the title Mean on the Scene (Audio Fidelity/Phoenix). Since then the contents of the original double LP have been reissued repeatedly, usually with the studio instrumentals (and sometimes other tracks) omitted, under titles including At Studio 54 (1994, Charly ...
Emergency! was originally released in 1969 by Polydor/PolyGram Records, [15] receiving widespread acclaim from major American publications. [16] In a contemporary review for The Village Voice, Robert Christgau hailed Williams as "probably the best drummer in the world" and was astonished by the album, [14] calling it "a frank extrapolation on the most raucous qualities of new thing jazz and ...
"I Guess the Lord Must Be in New York City" was covered by Sagittarius in 1969. Their version reached number 135 on the U.S. Billboard Bubbling Under the Hot 100 chart. [11] A version by Wayne Newton reached number 28 on the US Easy Listening chart in the fall of 1969. [12]