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Soul of Christ, sanctify me Body of Christ, save me Blood of Christ, inebriate me Water from the side of Christ, wash me Passion of Christ, strengthen me O good Jesus, hear me Within Thy wounds hide me Suffer me not to be separated from Thee From the malignant enemy defend me In the hour of my death call me And bid me come unto Thee
The Ascension of Jesus (anglicized from the Vulgate Latin: ascensio Iesu, lit. 'ascent of Jesus') is the Christian belief, reflected in the major Christian creeds and confessional statements, that Jesus ascended to Heaven after his resurrection, where he was exalted as Lord and Christ, [1] [2] sitting at the right hand of God.
Scene 2: Christ's Death and Resurrection He was cut off (tenor or soprano) But thou didst not leave his soul in hell (tenor or soprano) Scene 3: Christ's Ascension Lift up your heads, O ye gates (chorus) Scene 4: Christ's reception in Heaven Unto which of the angels (tenor) Let all the angels of God worship Him (chorus)
Christ has died, Christ is risen, Christ will come again. Dying you destroyed our death, rising you restored our life. Lord Jesus, come in glory. When we eat this bread and drink this cup, we proclaim your death, Lord Jesus, until you come in glory. Lord, by your cross and resurrection, you have set us free. You are the Saviour of the world.
In the traditional scheme of the Stations of the Cross, the final Station is the burial of Jesus. Though this constitutes a logical conclusion to the Via Crucis, it has been increasingly regarded as unsatisfactory [by whom?] as an end-point to meditation upon the Paschal mystery, which according to Christian doctrine culminates in, and is incomplete without, the Resurrection (see, for example ...
The oratorio's structure follows the liturgical year; Part I corresponding with Advent, Christmas and the life of Jesus, Part II with Lent, Easter, Ascension and Pentecost, Part III with the end of the church year, dealing with the end of time, the Resurrection of the dead and Christ's glorification in heaven.
Die Auferstehung und Himmelfahrt Jesu (The Resurrection and Ascension of Jesus) is an oratorio by Carl Philipp Emanuel Bach to a text by Karl Wilhelm Ramler on the subject of the resurrection and ascension of Jesus Christ. The first documented performance evidently took place in 1774, and was first publicly performed in 1778; it was further ...
Ascension Rock, inside the Chapel of the Ascension (Jerusalem), is said to bear the imprint of Jesus' right foot as he left Earth and ascended into heaven.. The Christian Old Testament, which is based primarily upon the Hebrew Bible, follows the Jewish narrative and mentions that Enoch was "taken" by God, and that Elijah was bodily assumed into Heaven on a chariot of fire.