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Gradually, portraits of pregnant women began to appear, with a particular fashion for "pregnancy portraits" in elite portraiture of the years around 1600. As well as being a subject for depiction in art, pregnant women were also consumers of art, with some special types of work developed for them, including Madonna del Parto images of Mary.
La donna gravida (or simply La gravida; Italian for "The Pregnant Woman") is an oil on wood portrait by the Italian High Renaissance artist Raphael.It was painted between 1505 and 1506, during Raphael's stay in Florence, Italy.
The main article for this category is Pregnancy in art. Pages in category "Pregnancy in art" The following 18 pages are in this category, out of 18 total.
Krystyna Moczulska suggests that the ermine follows the meaning of an ermine or weasel in classical literature, where it relates to pregnancy, sometimes as an animal that protected pregnant women. Around the time of the painting's creation, Cecilia was known to be pregnant with Ludovico's illegitimate son. [1]
The Germanic goddess Eostre, whose themes are fertility and rebirth, is often surrounded by hares in art. In Christianity, white rabbits are considered to be symbols of rebirth and fertility and are seen on a wing of the high altar in Freiburg Minster, where they are playing at the feet of two pregnant women, Mary and Elizabeth.
Half of the sculpture shows the internal anatomy of the pregnant woman, with the foetus clearly visible. The stance has been described as a reference to Little Dancer of Fourteen Years by Edgar Degas, a c. 1880 work that previously inspired Hirst when he created Virgin Mother, another massive sculpture of a pregnant woman with her foetus ...
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Dea Gravida, a term that has been applied to these types of figures by modern archaeologists, translates to "pregnant goddess." [2] The term gravida comes from the Latin word gravidus and is used to describe a woman who is pregnant. Tyria is a reference to Tyre, where many such figures have been found. [3]
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