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Joseph and His Brothers (German: Joseph und seine Brüder, pronounced [ˈjoːzɛf ʊnt ˌzaɪ̯nə ˈbʁyːdɐ]) is a four-part novel by Thomas Mann, written over the course of 16 years. Mann retells the familiar stories of Genesis , from Jacob to Joseph (chapters 27–50), setting it in the historical context of the Amarna Period .
Simeon is a son of Jacob and Leah and is the wickedest and wiliest of Joseph's half-brothers. Supporting. Reuben is the eldest son of Jacob and Leah [fn 1] and is the only half-brother who is good to Joseph. Judah is the fourth son of Jacob and Leah. Jacob is Joseph's father and the father of his ten older half-brothers and younger brother ...
The Story of Joseph and His Brethren (Italian: Giuseppe venduto dai fratelli) is a 1961 Yugoslavian/Italian film directed by Irving Rapper and Luciano Ricci. The film is also known as Joseph Sold by His Brothers, Joseph and His Brethren (American DVD box title) and Sold into Egypt in the United Kingdom. It was the last film of Belinda Lee. [1]
While in jail, Joseph interpreted the dreams of two of his prison-mates, both servants in Pharaoh's household. One of them Phanor, promised to help free Joseph from prison when he was restored to his position in Pharaoh's household, but forgot and several years pass. Act 1 opens with Joseph lamenting his lot in life, abandoned, in prison.
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Ralph Fiennes is eager to collaborate onscreen with his younger brother Joseph Fiennes. “He’s a brilliant actor. One day, I hope we do a film together,” the Conclave actor, 62, tells PEOPLE ...
Dove.org gave the film a positive review, stating that it "features good voice actors, appropriate music (with Egyptian-sounding music for example while in Egypt), and dramatic music, along with strong character development", before concluding "the vivid and colorful animation brings this wonderful story of Joseph to life". [1]
The novel received positive reception and appreciation from Jewish and gentile readership. [1] Sidra DeKoven Ezrahi from Tikkun gave the book a positive review, noting the Zen-like meditative moments integrated in the narrative, Mitchell's depiction of Joseph's transformation from a youth of folly to a mature powerful leader and the creative use of Hebrew amidst the English prose. [2]