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José Campeche y Jordán (December 23, 1751 – November 7, 1809), is the first known Puerto Rican visual artist and considered by art critics as one of the best rococo artists in the Americas. Campeche y Jordán loved to use colors that referenced the landscape of Puerto Rico, as well as the social and political crème de la crème of colonial ...
Michelangelo heavily studied the human body and dissected numerous cadavers in his artistic career, and over time became captivated by the male torso. [ 28 ] [ better source needed ] In his treatises on painting and sculpture , Leon Battista Alberti , defined the male figure as a "geometrical and harmonious sum of its parts". [ 22 ]
Écorché by Leonardo da Vinci.. An écorché (French pronunciation:) is a figure drawn, painted, or sculpted showing the muscles of the body without skin, normally as a figure study for another work or as an exercise for a student artist.
Multiple main characters of the series are other animals who possess human body form and other human-like traits and identity as well; Mr. Peanutbutter, a humanoid dog lives a mostly human life—he speaks American English, walks upright, owns a house, drives a car, is in a romantic relationship with a human woman (in this series, as animals ...
After history painting came, in order of decreasing worth: portraits, scenes of everyday life (called scènes de genre, or "genre painting", and also petit genre to contrast it with the grande genre), landscapes, animal painting, and finally still lifes. In his formulation, such paintings were inferior because they were merely reportorial ...
Protestant art continued the now-standard depiction of the physical appearance of Jesus. Meanwhile, the Catholic Counter-Reformation re-affirmed the importance of art in assisting the devotions of the faithful, and encouraged the production of new images of or including Jesus in enormous numbers, also continuing to use the standard depiction.
The body tends to be oriented toward lust and sin, but it is also a creation of God. God created the body like a work of art in his image. This creation reflects God's intelligence. The human body is (eikon) somehow similar to God. To be completed as a mirror of him, is the task for every Christian. Unlike the human body, the soul is an image ...
In 1961, Danish Egyptologist Erik Iverson described a canon of proportions in classical Egyptian painting. [2] This work was based on still-detectable grid lines on tomb paintings: he determined that the grid was 18 cells high, with the base-line at the soles of the feet and the top of the grid aligned with hair line, [3] and the navel at the eleventh line. [4]