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The Bible was seen, not as a collection of abstract moral principles, but rather as an anthology of the events of God's great works in history. The Bible was seen as the unfolding story of the coming Christ, progressively revealing more and more about him throughout salvation history. This, then, is to be the way in which the narratives are to ...
Sacred history is the retelling of history narratives "with the aim of instilling religious faith" regardless of whether or not the narratives are founded on fact. [1]In the context of the Hebrew texts that form the basis of Judaism, the term is used for all of the historical books of the Bible – i.e., Books of Kings, Ezra–Nehemiah and Books of Chronicles – spanning the period of the ...
Derek and Margo, two young archaeologists, are on a dig accompanied by "their nomad friend", a boy named Moki. They come across a door in an ancient ruin that turns out to be a portal through time. Though the introduction is the same in all videos, each episode sends the three friends into a different story from the Bible.
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The Genesis creation narrative is the creation myth [a] of both Judaism and Christianity, [1] told in the Book of Genesis ch. 1–2. While the Jewish and Christian tradition is that the account is one comprehensive story, [2] [3] modern scholars of biblical criticism identify the account as a composite work [4] made up of two stories drawn from different sources.
First printed in London in 1759, The Children's Bible was the earliest Bible for children printed in America. [7] While this may have been the first official text published in the US, the simple, narrative style seen in children's Bibles today dates back to the work of Peter Comestor in the late twelfth century: Historia Scholastica. [8]
In a theatrical Biblical Storytelling performance with multiple storytellers, there may be only one speaking storyteller at a time, so the other storytellers may be used to enhance the telling in the following ways: [9] by being non-verbal characters in the scene; to be part of the set; lines could be distributed or said in unison for dramatic ...
Paula McNutt, for instance, notes that the Old Testament narratives, Do not record "history" in the sense that history is understood in the twentieth century. ...The past, for biblical writers as well as for twentieth-century readers of the Bible, has meaning only when it is considered in light of the present, and perhaps an idealized future. [18]