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Cultural Bolshevism (German: Kulturbolschewismus), sometimes referred to specifically as art Bolshevism, music Bolshevism or sexual Bolshevism, [1] was a term widely used by state-sponsored critics in Nazi Germany to denounce secularist, modernist and progressive cultural movements. The term is closely related to the Jewish Bolshevism ...
Bolshevism (derived from Bolshevik) is a revolutionary socialist current of Soviet Leninist and later Marxist–Leninist political thought and political regime associated with the formation of a rigidly centralized, cohesive and disciplined party of social revolution, focused on overthrowing the existing capitalist state system, seizing power ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The National Bolshevik project of figures such as Niekisch and Paetel was typically presented as just another strand of Bolshevism by the Nazi Party, and was thus viewed just as negatively and as part of a "Jewish conspiracy". [28] After Hitler's rise to power, many National Bolsheviks were arrested and imprisoned or fled the country.
Concerning the real-life political violence caused by the conspiracy theory, law professor Samuel Moyn wrote: "That 'cultural Marxism' is a crude slander, referring to something that does not exist, unfortunately does not mean actual people are not being set up to pay the price, as scapegoats, to appease a rising sense of anger and anxiety. And ...
The Anthem of the Bolshevik Party (Russian: Гимн партии большевиков) is a Russian communist song composed by Alexander Alexandrov. Its lyrics are written by Vasily Lebedev-Kumach. The opening bars of the song is sampled from Life Has Become Better (Жить стало лучше), one of Alexandrov's previous pieces.
From the Nazi seizure of power onward, these composers found it increasingly difficult, and often impossible, to get work or have their music performed. Many went into exile (e.g., Arnold Schoenberg, Kurt Weill, Paul Hindemith, Berthold Goldschmidt); or retreated into "internal exile" (e.g., Karl Amadeus Hartmann, Boris Blacher); or ended up in the concentration camps (e.g., Viktor Ullmann, or ...
Jewish Bolshevism, also Judeo–Bolshevism, is an antisemitic and anti-communist conspiracy theory that claims that the Russian Revolution of 1917 was a Jewish plot and that Jews controlled the Soviet Union and international communist movements, often in furtherance of a plan to destroy Western civilization.