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However, the references to light and darkness in the poem make it virtually certain that Milton's blindness was at least a secondary theme. The sonnet is in the Petrarchan form, with the rhyme scheme a b b a a b b a c d e c d e but adheres to the Miltonic conception of the form, with a greater usage of enjambment .
The dating of the poems' composition has been tied to the dating of Donne's conversion to Anglicanism. His first biographer, Izaak Walton, claimed the poems dated from the time of Donne's ministry (he became a priest in 1615); modern scholarship agrees that the poems date from 1609 to 1610, the same period during which he wrote an anti-Catholic polemic, Pseudo-Martyr.
The speaker of the poem questions the sun's motives and yearns for the sun to go away so that he and his lover can stay in bed. Donne is tapping into human emotion in personifying the sun, and he is exhibiting how beings behave when they are in love with one another. The speaker in the poem believes that, for him and his lover, time is the enemy.
Eternal oblivion (also referred to as non-existence or nothingness) [1] [2] is the philosophical, religious, or scientific concept of one's consciousness forever ceasing upon death. Pamela Health and Jon Klimo write that this concept is mostly associated with religious skepticism , secular humanism , nihilism , agnosticism , and atheism . [ 3 ]
"Lycidas" (/ ˈ l ɪ s ɪ d ə s /) is a poem by John Milton, written in 1637 as a pastoral elegy. It first appeared in a 1638 collection of elegies, Justa Edouardo King Naufrago , dedicated to the memory of Edward King , a friend of Milton at Cambridge who drowned when his ship sank in the Irish Sea off the coast of Wales in August 1637.
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Sir John Betjeman, CBE (/ ˈ b ɛ tʃ ə m ən /; 28 August 1906 – 19 May 1984) was an English poet, writer, and broadcaster.He was Poet Laureate from 1972 until his death. He was a founding member of The Victorian Society and a passionate defender of Victorian architecture, helping to save St Pancras railway station from demolition.
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