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The term literally translates to "pictures of Japan." [1] Nihonga began when Okakura Tenshin and Ernest Fenollosa sought to revive traditional Japanese painting in response to the rise of a new Western painting style, Yōga. Hashimoto Gahō, a painter of the Kano School, was the founder of the practical side of this revival movement.
Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, religious art was introduced from the mainland. The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century ...
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".
Meiji Memorial Picture Gallery (聖徳記念絵画館, Seitoku Kinen Kaigakan) is a gallery commemorating the "imperial virtues" of Japan's Meiji Emperor, installed on his funeral site in the Gaien or outer precinct of Meiji Shrine in Tōkyō. The gallery is one of the earliest museum buildings in Japan and itself an Important Cultural Property.
Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in ...
A primary design principle of a traditional garden is the creation of the landscape based on, or at least greatly influenced by, the style of three-dimensional monochrome ink landscape painting known as sumi-e or suibokuga; as such, garden landscaping is elevated to the status of an artform in Japan. [43] Traditional Japanese sculptures mainly ...
After studying and comparing the scroll with a number of Buddhist, Church of the East Christian and Manichaean works of art, Gulácsi concluded in her article A Manichaean Portrait of the Buddha Jesus: Identifying a Twelfth-Thirteenth-century Chinese Painting from the Collection of Seiun-ji Zen Temple, that the painting is a Manichaean work of art:
The origin of ikebana can be traced back to the ancient Japanese custom of erecting evergreen trees and decorating them with flowers as yorishiro to invite the gods. Later, flower arrangements were instead used to adorn the tokonoma (alcove) of a traditional Japanese home.
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