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The question of whether images in Islamic art, including those depicting Muhammad, can be considered as religious art remains a matter of contention among scholars. [6] They appear in illustrated books that are normally works of history or poetry, including those with religious subjects; the Quran is never illustrated: "context and intent are ...
Hilye, or calligraphic panel containing a physical description of the Prophet Muhammad made in 1718 in the Galata Palace, Istanbul. Dihya Salim al-Fahim, (1718), via Wikimedia CommonsThe ...
In the lower part of the painting, Muhammad – his face veiled – sits on a geometrically patterned carpet, surrounded by the four caliphs who succeeded him: Abu Bakr, Umar, Uthman, and Ali. Next to Muhammad on the carpet are two of his grandsons, Hasan ibn Ali and Husayn ibn Ali – the second and third Imams of Shia Islam – depicted as ...
Jyllands-Posten Muhammad cartoons controversy (1 C, 28 P) Pages in category "Cultural depictions of Muhammad" The following 73 pages are in this category, out of 73 total.
In tone and theme, the images are a highpoint of Persian draughtsmanship and include works from the Mozaffarid, Jalāyerid and Turkmen periods. [3] They are sometimes attributed to the notname Ustad Siyah Qalam; equivalent in English to the Master of the Black Pen. There had been conflicting opinions about whether Siyah Qalam was an individual ...
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For a long time, Islamic art from outside the Persianate world was considered aniconic in academic research. Known pictures including human figures from the mileu of Muslim courts have been described as an "aberration" by the early 20th-century writer Sir Thomas Arnold (d. 1930).
While both Sunnis and Shias have created images of Muhammad in the past, [355] Islamic depictions of Muhammad are rare. [351] They have mostly been limited to the private and elite medium of the miniature, and since about 1500 most depictions show Muhammad with his face veiled, or symbolically represent him as a flame. [353] [356]