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In music, a cadenza, (from Italian: cadenza [kaˈdɛntsa], meaning cadence; plural, cadenze [kaˈdɛntse]) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display.
A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque ...
The word "cadence" sometimes slightly shifts its meaning depending on the context; for example, it can be used to refer to the last few notes of a particular phrase, or to just the final chord of that phrase, or to types of chord progressions that are suitable for phrase endings in general.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
A Landini cadence (Landini sixth or Landini sixth cadence), or under-third cadence, [4] is a type of cadence, a technique in music composition, named after Francesco Landini (1325–1397), an influential Italian composer, in honor of his extensive use of the technique. The technique was used extensively in the 14th and early 15th century.
Ossia (Italian:) is a musical term for an alternative passage which may be played instead of the original passage.The word ossia comes from the Italian for "alternatively" and was originally spelled o sia, meaning "or be it".
In Western art music, the messa di voce was historically associated with castrati. In the seicento, they performed both sacred and secular music. The papal court employed them in dramatic religious music, sometimes to promote religious conversion, as opera became a distinct genre. Popes and princes hired them from the Sistine Chapel. [3]