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Dimensions. 318 cm × 276 cm (125.2 in × 108.7 in) Location. Museo del Prado, Madrid. Las Meninas (Spanish for ' The Ladies-in-waiting '[a] pronounced [las meˈninas]) is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist of the Spanish Baroque. It has become one of the most widely analyzed works in ...
This is a list of paintings and drawings by the 17th-century Spanish artist Diego Velázquez. Velázquez is estimated to have produced between only 110 and 120 known canvases. [ 1 ] Among these paintings, however, are many widely known and influential works.
Diego Velázquez. Diego Rodríguez de Silva y Velázquez, [a][b] (baptized 6 June 1599 – 6 August 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c. 1600–1750). He began to paint in a precise tenebrist ...
Museo del Prado, Madrid, Spain. Apollo in the Forge of Vulcan (Spanish: Apolo en la Fragua de Vulcano), sometimes referred to as Vulcan's Forge, is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. Critics agree that the work should be dated to 1630, the same year as his companion painting Joseph's Tunic.
Museo del Prado, Madrid. The Triumph of Bacchus (Greek: Ο Θρίαμβος του Βάκχου) is a painting by Diego Velázquez, now in the Museo del Prado, in Madrid. It is popularly known as Los borrachos or The Drinkers (also The Drunks). Velázquez painted The Triumph of Bacchus after arriving in Madrid from Seville and just before his ...
Las Hilanderas (Spanish pronunciation: [las ilanˈdeɾas]; "The Spinners") is a painting by the Spanish painter Diego Velázquez, in the Museo del Prado of Madrid, Spain. It is also known by the title The Fable of Arachne. Most scholars regard it as a late work by the artist, dating from 1657-58, but some argue that it was done c. 1644-48. [1]
The response to Velazquez's artwork was grand at the very least, with the critical reaction being that The Surrender of Breda was the most impressive Spanish works of art. [14] Also, the artwork solidified Velazquez's effort as the most superb depiction of Spanish Baroque, provided that Baroque art was closely connected to humanity and how ...
Velazquez being introduced to this environment, invited him to new opportunities and resources. Due to the influence of King Phillip IV, Velazquez works became proficient in religious and mythological works. Velázquez made various nude studies he used in later paintings, such as Apollo at the Forge of Vulcan (1630) and Joseph's Tunic (1630 ...