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Some of his hits include "Makin' Whoopee ... where a young Jimmy Durante accompanied him on piano. ... immediately had orders for 100,000 copies of sheet music the ...
"Makin' Whoopee" is a song first popularized by Eddie Cantor in the 1928 musical Whoopee!. Gus Kahn wrote the lyrics and Walter Donaldson composed the music for the song as well as for the entire musical. The title refers to celebrating a marriage. Eventually "making whoopee" became a euphemism for intimate sexual relations. [1]
The Millennium Biltmore Hotel also served as a location for some of the film's interior scenes and musical sequences, [46] including "Makin' Whoopee", [39] which was shot in its Crystal Ballroom. [45] Pfeiffer was originally hesitant to film the scene in which her character sings "Makin' Whoopee" on top of Jack's grand piano. [22]
Gus Kahn's most famous songs include "My Buddy" (1922) with music by Walter Donaldson; "It Had To Be You" (1924), with music by Isham Jones; and "Makin' Whoopee" (1928), with music by Walter Donaldson. Kahn was also the lyricist for the Ted Healy/Three Stooges short film Beer and Pretzels (1933), with music by Al
In 2016, a double album and DVD of the concert, The Musical Mojo of Dr. John: Celebrating Mac and his Music, was released. [38] [39] [40] In 2017, Members of Dr. John's band The Gris Gris Krewe with music director Roland Guerin performed "Right Place Wrong Time" in the video kicking off the 2017 NBA All-Star Game.
Whoopee! is a 1928 musical comedy play with a book based on Owen Davis's play, The Nervous Wreck. The musical libretto was written by William Anthony McGuire, with music by Walter Donaldson and lyrics by Gus Kahn. The musical premiered on Broadway in 1928, starring Eddie Cantor, and introduced the hit song "Love Me or Leave Me", sung by Ruth ...
Trio Jeepy is a jazz album by saxophonist Branford Marsalis, in which he leads a trio featuring notable bassist Milt Hinton. [3] Recorded January 3–4, 1988 at Astoria Studios in New York City and released in 1989, [4] Trio Jeepy was later nominated for a Grammy Award in the 1989 category for 'Best Jazz Instrumental Performance, Group'.
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