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The Fight Between Carnival and Lent, by Pieter Bruegel the Elder (1559) The Carnivalesque is a literary mode that subverts and liberates the assumptions of the dominant style or atmosphere through humor and chaos. It originated as "carnival" in Mikhail Bakhtin's Problems of Dostoevsky's Poetics and was further developed in Rabelais and His ...
Alice Dunbar Nelson (July 19, 1875 – September 18, 1935) was an American poet, journalist, and political activist. Among the first generation of African Americans born free in the Southern United States after the end of the American Civil War, she was one of the prominent African Americans involved in the artistic flourishing of the Harlem Renaissance.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Structurally, the traditional rhymed Büttenrede is known to use a very consistent metre, for example iambic pentameter. It is often divided into multiple stanzas, that, like a refrain, end in the same, reoccurring punch line. The preferred rhyme scheme is a couplet (AA BB). [2]
ABAB – Four-line stanza, first and third lines rhyme at the end, second and fourth lines rhyme at the end. AB AB – Two two-line stanzas, with the first lines rhyming at the end and the second lines rhyming at the end. AB,AB – Single two-line stanza, with the two lines having both a single internal rhyme and a conventional rhyme at the end.
Frederic Ogden Nash (August 19, 1902 – May 19, 1971) was an American poet well known for his light verse, of which he wrote more than 500 pieces.With his unconventional rhyming schemes, he was declared by The New York Times to be the country's best-known producer of humorous poetry.
Triadic-line poetry or stepped line is a long line which "unfolds into three descending and indented parts". [1] Created by William Carlos Williams , it was his "solution to the problem of modern verse" [ 2 ] and later was also taken up by poets Charles Tomlinson and Thom Gunn .
The Spenserian stanza varies from iambic pentameter in its final line, which is a line of iambic hexameter, or in other words an English alexandrine. In the seventeenth century, John Milton experimented by extending the seventh line of the rhyme royal stanza itself into an alexandrine in "On the Death of a Fair Infant Dying of a Cough" and for ...