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vary, particularly since the song, especially its lyrics, was often modified. Some sources state that Percy Wenrich wrote the music and Jack Mahoney the lyrics, in 1914. [5] Credit for the most popular version of the song, though, is given to Ray Henderson for the music, and Sam M. Lewis and Joseph Widow Young for the lyrics.
Born in Buffalo, New York, Henderson moved to New York City and became a popular composer in Tin Pan Alley. [1] He was one-third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called George White's Scandals and such book musicals as Good News, Hold Everything!, and Follow Thru. [1]
The Varsity Drag" is a pop song written by Ray Henderson (music), Buddy DeSylva and Lew Brown (words), which became known in 1927. [ 1 ] The song was written for the musical Good News , from which the song " The Best Things in Life Are Free " also came. [ 2 ]
"Together" is a 1928 popular song with music by Ray Henderson and lyrics by Buddy G. DeSylva and Lew Brown. The most popular 1928 recording of the song, by Paul Whiteman, with Bix Beiderbecke on cornet, was a #1 hit for two weeks. [1] The song was included in a 1944 movie, Since You Went Away.
"The Best Things in Life Are Free" is a popular song written by the songwriting team of Buddy DeSylva and Lew Brown (lyrics) and Ray Henderson (music) for the 1927 musical Good News. It enjoyed a revival during the period from 1947 to 1950, when it was covered by many artists. On January 1, 2023, the composition entered the public domain in the ...
"I'm Sitting on Top of the World" is a popular song with music written by Ray Henderson and lyrics by Sam M. Lewis and Joe Young. It was published in 1925.This composition is not to be confused with, "Sitting on Top of the World" written by Walter Vinson and notably performed by Taj Mahal and Corey Harris.
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3 chord above IV (in C, FAD) is a first-inversion II chord. [2] Play ⓘ The ragtime progression [ 3 ] is a chord progression characterized by a chain of secondary dominants following the circle of fifths , named for its popularity in the ragtime genre, despite being much older. [ 4 ]