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James Francis Burke (April 15, 1923 – June 26, 1981) was an American cornet soloist. He was the principal cornet soloist with the Goldman Band from 1943 to 1974. [1] He was also the principal trumpet with The Baltimore Symphony Orchestra from 1943 to 1949. [2]
Leon Bismark "Bix" Beiderbecke (/ ˈ b aɪ d ər b ɛ k / BY-dər-bek; [1] March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like ...
A 1927 review in The Gramophone noted that "Charles Leggett, needless to say, plays cornet solos of Love's old sweet song and Oh that we two were maying, as almost only he can play the cornet." [ 2 ] A 1911 review in The Music Hall and Theatre Review called him a "clever cornet player".
James Shepherd (25 November 1936 – 22 June 2023) was an English cornet player from Northumbria, described as one of the world's most respected players of the instrument, having won the Championship Soloist of Great Britain Prize in three consecutive years (1962-4).
Llewellyn was the son of a trumpeter, coronetist and composer. In 1890, Edward began to study the cornet with his father. He also studied piano, violin, and harmony at Chicago Music College. In 1893, father and son played in the orchestra of the Chicago World's Columbian Exposition.
David Rosebrook began his career as a cornet player in New York and Boston. [3] He moved to San Francisco in 1899. When Henry Ohlmeyer took his band on a tour of West Coast cities during the early summer of 1910, Rosebrook was his cornet soloist and Herbert L. Clarke was the "special soloist". [4]
Coming to prominence in the 1920s as an inventive trumpet and cornet player, he was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. [5] Around 1922, Armstrong followed his mentor, Joe "King" Oliver, to Chicago to play in Oliver's Creole Jazz Band.
James Wesley "Bubber" Miley (April 3, 1903 – May 20, 1932) [1] was an American early jazz trumpet and cornet player, specializing in the use of the plunger mute. [ 2 ] Early life (1903–1923)