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Yokoyama Taikan (横山 大観, November 2, 1868 – February 26, 1958) was the art-name of a major figure in pre-World War II Japanese painting. He is notable for helping create the Japanese painting technique of Nihonga .
Iaijutsu is a combative sword-drawing art but not necessarily an aggressive art because iaijutsu is also a counterattack-oriented art. Iaijutsu technique may be used aggressively to wage a premeditated surprise attack against an unsuspecting enemy.
Painter, mostly in the Yōga style, and art professor Toyozo Arakawa: 1874–1985 Well-known ceramic painter Ito Yuhan: 1882-1951 Woodblock print artist of the shin hanga movement Kotaro Takamura: 1883–1956 Sculptor and poet, combining Western styles with Japanese tradition Rosanjin: 1883–1959 Calligrapher, ceramicist and restaurateur ...
Courtesan Asleep, a bijin-ga surimono print, c. late 18th to early 19th century Fireworks in the Cool of Evening at Ryogoku Bridge in Edo, print, c. 1788–89. Hokusai's date of birth is unclear, but is often stated as the 23rd day of the 9th month of the 10th year of the Hōreki era (in the old calendar, or 31 October 1760) to an artisan family, in the Katsushika district of Edo, the capital ...
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".
This is a list of foreign-born people who became samurai. Whether these individuals were members of the warrior class (bushi) is a subject of debate among historians. [1] The word samurai has had a variety of meanings historically, and could vary from region to region. The term is also typically used generically to refer to Japanese warriors.
A list of samurai from the Sengoku Period (c.1467−c.1603), a sub-period of the Muromachi Period in feudal Japan. Samurai. A. Akai Naomasa; Akai Teruko; Akao Kiyotsuna;
The trend during the Muromachi era was for the samurai carrying the ōdachi to have a follower to help draw it. [9] An exception does exist, though. The Kōden Enshin-ryū taught by Fumon Tanaka use a special drawing technique for "short" ōdachi allowing it to be carried on the waist. The technique is to pull out the sheath rather than drawing ...
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