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A multi-scale fingerboard (also called multiple scale length fretboard [1]) is an instrument fretboard which incorporates multiple scale lengths. This allows each of the strings to have a different string tension and thus, balanced tonal characteristics. [2] The lowest string with the longest length can be strung at a higher tension compared to ...
Later, the two specified a shorter scale and narrower-than-standard neck. Guitarists who had an opportunity to play Gibson samples liked the Byrdland's short scale neck (23 + 1 ⁄ 2 in [60 cm]), which facilitated intricate single-note patterns and unusual stretched chord voicings. The Byrdland then became a regular production instrument.
For example, a 7/8 violin has a scale of about 317 mm, a 3/4-size instrument a scale of 307 mm, a half-size one 287 mm, and a quarter-size one 267 mm. 1/8, 1/10, 1/16 and 1/32 and even 1/64 violins also exist, becoming progressively smaller, but again in no proportional relationship. (A full-size instrument is described as 4/4.)
The Everything Guitar Scales Book with CD: Over 700 Scale Patterns for Every Style of Music ISBN 1-59869-574-6; The Everything Guide To Digital Home Recording: Tips, Tools, and Techniques For Studio Sound St Home ISBN 1-60550-164-6
Persian scale on C Play ⓘ.. The Persian scale is a musical scale occasionally found in guitar scale books, along with other scales inspired by Middle Eastern music. It is characterized by the liberal use of half steps (4), augmented seconds (2), and frequent use of chromaticism.
The scale-size for the smaller guitars is usually in the range 484–578 mm (19.1–22.8 in), with an instrument length of 785–915 mm (30.9–36.0 in). Full-size instruments are sometimes referred to as 4/4, while the smaller sizes are 3/4, 1/2, 1/4, and even as small as 1/8 for very small children.
The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]
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