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The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
Theoria: Historical Aspects of Music Theory is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1985, under the auspices of the University of North Texas College of Music. According to its website, "Theoria is a peer-reviewed journal on all aspects of history in music theory. This includes ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Among his best-known works are the Musik-Lexikon (1882; 5th ed. 1899; Eng. trans., 1893–96), a complete dictionary of music and musicians, the Geschichte der musiktheorie im IX.-XIX. jahrhundert(1898), a history of music theory in Europe through the 19th century, the Handbuch der Harmonielehre, a work on the study of harmony, and the Lehrbuch ...
Music theory analyzes the pitch, timing, and structure of music. It uses mathematics to study elements of music such as tempo , chord progression , form , and meter . The attempt to structure and communicate new ways of composing and hearing music has led to musical applications of set theory , abstract algebra and number theory .
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. [1] Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. The breadth and ...
Riemannian theory, in general, refers to the musical theories of German theorist Hugo Riemann (1849–1919). His theoretical writings cover many topics, including musical logic, [ 1 ] notation, [ 2 ] harmony, [ 3 ] melody, [ 4 ] phraseology, [ 5 ] the history of music theory, [ 6 ] etc.
Meyer used this basis to form a theory about music, combining musical expectations in a specific cultural context with emotion and meaning elicited. [1] His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it. [3]